How to Sing Butterflies

The following is the result of this week’s Flash Fiction Challenge at Chuck Wendig’s blog. The challenge last week had participants come up with a title (without a story), this week it has them choose one of last week’s titles and make a story from that. How to Sing Butterflies on page 4 of the comments struck a chord with me, so I picked that one. Thanks to Medina who came up with it.
This is the first time I’m doing the challenge at Chuck Wendig’s. I’m always looking for good flash fiction challenges. I like flash fiction for it being so much to the point.

Speaking of which, on to the story:

How to Sing Butterflies

Muffled notes escaped the convict’s gag. Did the architects’ talent to conjure objects with their voices still work when obstructed? Dubious, but then again nobody really knew how architecm worked. Like electricity and so many powers before and since it, the technology had been discovered and used long before anybody understood what it actually was. A genetic mutation, a one in several billion event, discovered, isolated and copied to create a caste of people capable of conjuring any object from pure air by instinct.
Nobody knew how coded proteins on these people’s dna could manipulate quarks to form anything anywhere. Nobody knew why the ability used soundwaves or if they were a mere side effect or the method of change. Nobody knew why the music was always so beautiful when by all logic it should be random noise.
The girl just sang. Like any architect, she had sung before. This is how she ended up in front of a firing squad. Singing notes of mystery. Several monstrosities had attacked Tokyo in the last six months, ranging from nightmarish bugs to kaiju with everything in between. In court she said she wanted to create something beautiful, tried and tried, but always something eldritch came from it. She claimed there was just one thing missing and she would find it. The Architecm Guild had wanted to save her, the only architect to ever sing something to life.
In the end, she was just deemed too dangerous. The very knowledge of the possibility of singing life was. So it was all a secret. Nobody knew of the process and there had never been another option how it would end. Even making it illegal to create life by architecm was avoided not to give anybody any ideas.
The girl sang through her gag as the firing squad aimed. She sang as they readied. And then, as they fired the end of the melody became indistinguishable from the sound of the guns. Had it been the same sound from both guns and girl? There was no way to tell now. The final moment had happened quickly and pointlessly.
And then, everyone saw. Above the soldiers they flew. A pair of butterflies dressed in a color that didn’t exist.

A Weird Time to Unlimit your Kindling

During June I published The Dinosaurs of Jurassic Park and Jurassic World, first in the new series Fiction Science. Like I said in that post, I specifically chose to test the waters of the Kindle Unlimited program with this one. As luck would have it, Amazon happened to make some changes to Kindle Unlimited just as I was testing it.
I will discuss both my results and the effects of the changes below.

Results June 2015

In short, the book did great, both on Kindle Unlimited and in regular purchases. Not only did it help push June to include 53% of my current 2015 sales total, June also encompasses 75% of 2015 total ebook revenue so far thanks to this book. Sales and KU burrows were about the same. This surprised me, I thought KU would be a bigger contribution with only a few sales. As it turns out, I underestimated the price people were willing to pay when putting Fiction Science 1 at a price I honestly considered too much for a book this short.
Authors only get 70% for books between $2.99 and 9.99, incidentally making this the starting point at which authors get more than $ 1.00 per book. June 2015 was the first time I managed to make more than a dollar per book on average since 2011 (when I only had one book out, priced 3.99).
An especially weird surprise to me was that the book did best in the UK, despite being written in US English and published a day after the movie started in europe. Huh, weird.

So what I took away here is this:

  • Don’t be afraid of the 2.99–9.99 price tier. When it pays of, it really pays of. Also, more people are willing to pay that amount even for short non-fiction books than I thought, given the book is relevant or timely. This is the most important thing I take out of this: 2.99 is not as expensive to costumers as I tend to think with ebooks
  • At 2.99, Kindle Unlimited is perfect. It does pay a little less than a sale, but helps with exposure, thus driving sales. Well, at least it was perfect.
  • Media tie-ins work

And then, Kindle Unlimited Changed

No doubt all Amazon authors already heard of the recent change in Kindle Unlimited payments starting July 1st. In short, books lent via Kindle Unlimited will from now on be paid by pages read. It is not that clear how much money we’ll get, although I’ve seen estimates range from $ .005 to .006 per page.
This means The Dinosaurs of Jurassic Park and Jurassic World would make about 25 Cents per burrow. I’ll assume that burrows lower the number of sales, but I’ll also assume this is counteracted by better exposure and reaching readers unwilling to buy. Not having any real math to back this up, I’m nevertheless prepared to take the risk of being wrong as long as I’m only loosing a few cents at worst.
With a 2.99 book of 45 pages, I loose about a dollar per burrow when compared to a sale. Exposure conversion and costumer potential expansion are not going to cover a gap this large.

Luckily, I did not expect this book to do well beyond June. I knew its sales were going to be tied to the release of Jurassic World and indeed they spiked suddenly, stayed up until Sunday to slowly sink after the opening weekend. This book was not going to make me any money later on and I knew that.
Still, theere were conclusions to be drawnd for future projects, thus:


It’s strange to witness first hand how quick a business model can die. Even stranger to see how it can die from no ill intent, because I do consider the new model an improvement even if my own non-fiction suffers for it. In my case, I was preparing to publish erotica under a secret pseudonym.
The market for short erotica was dominated by using Kindle Unlimited to get money for burrowing very short steamy stories. Unlimited was its perfect environment, it managed to thrive there and really, why not?
I don’t know if that idea is dead now, but it certainly is not going to get me rich(-ish) any time soon. Basically, any business model using the high payout of Kindle Unlimited to its advantage is dead now. Just like that.
Which brings me to my most important conclusion: If you have an idea, be quick. You never know when it’ll stop working.

Fiction Science starts with Jurassic Park/World

Available now at Amazon, free to read for Kindle Unlimited subscribers

Jurassic Park. I freely admit I am the result of a boy being at just the right age when 90′s dinomania rolled around and having been enamoured with dinosaurs even before that point, JP never left me. So of course I was going to do something with Jurassic World coming up. Not to mention I managed to use being European to my advantage with Jurassic World starting one day early over here.

Jurassic Park/World. It comes with great hype. And with great hype comes great responsibility. That might be from a different media franchise, but it still holds true. And it’s the reason people on the internet get upset about the scientific accuracy of the dinosaurs in the series. Well, that and them being people on the internet, getting upset at stuff is part of the appeal. Anyway, I decided to collect all the scientific inaccuracies into a book. So I went through all canonical JP media with eyes open for this kind of thing and started collecting.

There is, of course, a lot to talk about: Naked raptors! Half-blind T. rex! Bunny handed Gallimimus! Dilopho-That-Is-Not-Even-A-Dinosaur-Saurus! Holyshittasaurus Indominus rex! If it’s a prehistoric animal and in either of the movies, the novels, or the Telltale game, I put it in.

What I did was, I wrote this over the course of the last month watching all movies and trailers, re-reading the novels and watching a Playthrough of the Telltale game. I ignored the comics and other games for not being in any sort of canon. Also, finding all errors in the builder games would probably take years just from those games’ sheer size. Of course, not everything in Jurassic Park that looks different from paleontology textbooks is an error. Some things are artistic license, showing things that are possible even if paleontologists can’t confirm it to be true. And some are just the result of the original movie being 22 years old when during those 22 years science’s idea of what dinosaurs looked like has been revolutionized by new findings. This book explains those things.
After that I took advantage of my european-ness, watched the earliest screening of Jurassic World I could get and made that tax-deductible and finished the book with new knowledge gained from that, adding a short chapter on Indominus rex in the process.

With this book, I also started a series, “Fiction Science”. This is something I wanted to do for quite some time. A series of books about the science in science fiction. More books will come out over time, though this one is somewhat special in being about a specific series. Future installments will be about things like FTL travel, alien design, or why we don’t have jetpacks and hoverboards everywhere yet. However, with dinosaurs there is simply too much to go through without focussing on a single franchise. The release of Jurassic World was just perfect for this book to come out, so I timed it accordingly.

So far, I am very happy with the result. The book sports high quality, a simple yet effective cover, starts a new series and also makes an excellent test run for creating titles that tie in to current events.
It’s also free with Kindle Unlimited because I wanted to test that market and I believe a media tie-in title is perfect for KU’s borrowing approach to books. This is a book basically meant to be borrowed and read quickly after seeing the movie(s). I am quite anxious to see how well that works.

Oh, for the record: Jurassic World is really, reallly fun. Not as good as the first movie, but still one of the most fun movie I’ve seen in years.

Dystopian Utopias and Counterfics – Some Thoughts on the new Minority Report Trailer

Warning: The following contains a spoiler for the 2002 movie Minority Report. Just in case you still haven’t seen it yet.

Minority Report is getting a tv series based on the movie loosely adapted from the original story and we have a trailer to show for it:

Yeah, this is weird. Let’s talk about why.

Dystopian Utopias

The original movie by Steven Spielberg is in the ranks of the sleeper classics, that is, movies with topics more relevant now than when they were originally released. Science fiction dealing with contemporarily current trends is prone to this kind of thing, see Demolition Man for another example, if a less serious one.
The point of Minority Report was that the idea of predicting crime to prevent it is a bad idea. Not only is data bound to get misinterpreted sooner or later, you also create a host of prediction paradoxes. You know, when a future event turned out to be caused by your prediction in the first place? As happened in the original movie? Because that was the whole point of the story?
Because sometimes stuff tends to happen in circles, especially when time travel and/or precognition is involved. Much like the previous paragraph did.

That was 13 years ago and apparently Minority Report hit puberty right on cue. Now it wants to hear nothing of its parents’ values and always do the opposite. Either that or society has become a whole lot different with us starting to embrace the sort of constant surveillance and data precognition that comes with big data and that had us all horrified after 9/11 brought with it growing sacrifice of freedom in the name of security. One might say Minority Report is strong evidence how we all have been brainwashed into accepting a world that gets close to calling 1984 a utopian vision, rather than the dystopian one we used to think it is. And that idea kind of scares me.
It’s not the first time that happened, either. I’m getting a similar sensation when reading Brave New World, now sounding like every damn text on the evils of this thing called the internet and how it turns young ‘uns into brainless media zombies.
Maybe this is what dystopia is really good for: Giving us a glimpse how our thinking has changed. Few dystopias need to convince readers that bad stuff is bad. But looking at a dated dystopian tale, realizing it has turned into either our present or inches ever closer to a utopia in modern eyes, now there’s real value.


The other thing I want to talk about is adaptations.

In fan fiction, there is a couple of categories works can go into. I want to briefly talk about fix fic. This is when an author think another’s work broken in some way and goes about fixing it. In the best cases this results in stuff like Timothy Zahn’s Star Wars novels, filling gaps from the movies and other Star Wars novels in such a way that any errors and continuity hiccups get explained to make the overall world of the stories more believable. In the worst cases, an author completely misses the point of the original work and manages to „fix“ the story into being its complete opposite.

This seems to be what happened here: The makers of the series saw the movie and decided that it’s message is utter bull. So they created a series that (judging from the trailer) goes ahead to undo the movie’s events, showing viewers how awesome the world would be with precognitive people in police service around. This is not only the sequel undoing the original’s point, it’s the sequel turning around to slap the original in the face, telling it how stupid it supposedly is.
And that is something I have never before seen done on purpose, with the sole exception of Starship Troopers doing this to Heinlein’s novel (awesomely imho).


That was my thoughts on Minority Report I thought to write down because I didn’t see anybody else seeing it that way. What do you think? Am I reading to much into a trailer? Or is this a sign of our times?

Don’t Believe the Hype: Standing Desks

Standing desks are all the rage right now when it comes to productivity. So, first week of 2015 I got me one. It did not go well. Here’s how.

This is nice, but all the pain…

A few days after the start of the new year, I got myself a standing desk. These things tend to be expensive, so I was quite happy to find a small standing desk for cheap (€25) at a welfare store. Well, a small cupboard with doors and a desk plate on top, but still. In fact, that seemed even nicer, because it could store stuff.
There are two kinds of benefits a standing desk has to a regular one. One is health benefits – it’s good for the back, burns calories when compared to working in a chair, and has some minor benefits in other areas that are affected negatively by sitting in a chair for hours. The other is productivity – sitting down tends to lead to slouching or otherwise signaling the body that it’s tiem to get lazy. At least I constantly had to fight this feeling of ”I sit therefore I’m in leisure mode, let’s go to Netflix„ when in a chair.
So yeah, a standing desk, hyped enough in the US to warrant its own Wikipedia page, seemed agood idea.

Pro tip: hat is not a good idea is carrying this thing around in your arms for about half a mile on foot. Let’s just say the benefits for the back got pretty much destroyed for the first week. Yeah, that one was probably me being stupid and not the desk’s fault, so I’ll let it pass.

After that, work could begin and I noticed something off: It became even harder to get myself into working mode. Now it was not lazy mode taking over, I just really disliked the feeling of standing there while typing. My productivity plummetted. Reading and writing short stuff worked fine, but it became really tough to get myself to write anything longer than a twitter message.

After about a week my feet started complaining. I was not used to standing in one place for that long. Just for context, I regularly walk barefeet for several miles when the weather is good, but that’s walking, moving constantly, shifting weight from foot to foot with every step. It’s what feet are made for, what they’re good at. Now it seems, feet are not good at standing still. At least mine are not. Which is probably why we invented sitting (and why animals that stand still a lot almost all have hooves).
On the plus side, my back felt great now.

Get it away from me!

I took care of my feet using lotion and reintroducing my comfy chair specifically for lazy time. At this point I figured it was an issue of getting used to working while standing.

It’s March now and not only has this blog has been quiet for some time, I also did not yet finish a book I was plannign to finish by March, a zombie novella titled Boy. I got it 10% done and that is completely representative of my productivity at the standing desk: I generally got 10% done of what I got done before.

My feet got better but the thing was I just couldn’t bring myself to work much while standing. Which was weird because I’d always been working in a standing position before, in other jobs. I tried a few other desks in stores and it eventually boiled down to all of them having either of two problems: One half was a great height to type on, but too low to comfortably look at the screen of my laptop; the other was, of course, tall enough to comfortably look at the screen but unpleasant to write at because now the keyboard was to far up.
However, I do not want to get a desktop pc again for a couple of reasons – it takes up space, it uses much more electricity, and it is not portable enough, among others. Maybe it works better if keyboard and screen are separate from each other. I won’t check.

Back from the Journey

So today, I retired the standing desk. I will keep it in the room for its storage space, but instead of my laptop I will put a plant on it. Work will happen on my old desk again. I can already feel my spine complaining about the move back, but this I will remedy by starting to work in shorter bursts instead of several hours at once like before.
The very fact that I got myself to start and finish this very text about it seems proof enough to me that I’m just better off working while sitting on a desk.

So, here’s my advice to anybody thinking about getting a standing desk for writing work: Try to get a really cheap one first, preferably a used one off a flea market or welfare store. Just to try if this really is your thing. In the end, every one of us likes different things, every one of us works differently (in absolutely every meanign of the word ”works“). I am not going to say you shouldn’t get a standing desk. There’s always value in trying new things and figuring out wether they’re good for you — nobody can tell you what will and won’t work for you with absolute certainty.
I’m not here to counteract the hype with a nype (yes I just made up that word).
But I will say this: Don’t believe the hype. Any hype, really.

Khamel, Calmrill, and Gladbach

Last night, I finished a short story titled Khamel. I recently found the idea in a note written in 2012. It just said “Khamel”, but the idea behind it resonated well enough with me that it immediately came to mind again when I just saw that one word. Can’t believe I forgot it for long enough to need a note to remind me.
The story is based on the biblical metaphor that a camel passes the ear of a needle sooner than a rich man goes to heaven. And on the quip by some American comedian (Bill Maher? I don’t recall) that creationists apparantly don’t know about metaphor, imagining an event involving a sewing tool and a very unfortunate ungulate.
So, of course I got the idea of a story depicting that. But instead of a camel, I soon came up with using a man named Khamel, an actual Arabic name. Because why not?

The whole thing had an air of medieval european fantasy setting around it, so I put it there, into a semi-fictional medium-sized town called Calmrill. More on that later. Once set up, the story wrote itself within less than two hours.

I will not publish Khamel as an ebooks, at least not yet and not separately. Instead, I will go a different route with it. And if that works, you will be able to read it for free in a couple of places.
The problem with Khamel is that it is only about 1,300 words long, barely even a short story. Although in terms of structure and plot it is far more of a short story than Introduction was.

The plan

I opted to try and sell Khamel to the market, preferably a professional one. Daily Science Fiction is the way to go here, they’re specifically looking for stories of less than 1,500 words.
Paying 8 Cents per word and reaching about 10,000 readers is more than any of my sold stories can say for themselves, both in readership and short-term money. Not to mention it would give me a new status as a professionally published author. Now that’s be awesome.
Following that, I will try to get it into the reprint market, though I have not yet done a thorough research on that area. Payment seems to be around 5 cents/word. At this point, I will also put it up for free on this here site.
One other thing I will do is get my SFF writing kickstarted. So far I have very little published in that area and when I get exposure, I want to be ready by offering any new visitors here at least one actual book. At the moment, that boils down to my two zombie projects: and Boy. It’s probably going to be Desert King, which in itself will be doing something new.
So, if that works it means a free story for you (and I really think my best short piece so far), about US$150, and more exposure for me. What’s not to like?
Seems I try something new with every single new project. So, let’s see how that one works out, then.


No, no, you can like Calmrill. In fact, do like Calmrill!
Calmrill, like Pacifica, forms the first piece in a fictional universe. While the floating town of Pacifica formed the basis of my science fiction, Calmrill does so for my fantasy fiction. Both worlds are incompatible by nature, but most of my fiction from now on will fall into one of those categories, unless one comes along that fits into neither (the only one I can see this happenign with so far is Boy, because neither world has a place for a major zombie apocalypse).

You might wonder where Calmrill came from. If not, well, tough luck, because I want to talk about it.
Calmrill, called Kalmrill in German, is my hometown. Or rather, a fictionalized version of it. My hometown is called Mönchengladbach, translating litterally into Monk’s Smooth Creek for being founded by monks next to a small, quiet creek. It’s usually shortened to Gladbach (Smooth Creek).
I made smooth into calm and used a thesaurus to find rill as another word for creek. I decided Calmrill sounded nice, it had a sort of tolkienesque ring to it. A town might actually be called that.
So, there we go, Calmrill is basically my hometown, transplanted into a fantasy world and shrunken to its old borders as marked by the town’s wall, making it one densely populated, well guarded walled hill with a central marketplace on top, surrounded by a landscape that looks a lot like Tolkien’s description of the Shire in Lord of the Rings, dotted with villages.
The idea in the Calmrill universe is that it’s mostly our universe, but almost all legends are true, especially local urban legends, hoaxes, and canards. And it’s not limited to Calmrill/Gladbach, of course. It’s gonna be fun.

Something different: Spinosaurus and Science!

I decided to squeeze a tiny project in while working on a bigger one, because of this. Apparently, Spinosaurus aegypticus of Jurassic Park fame looked entirely different to what we thought. And was not in the T. rex neck snapping business at all.

What follows it a lot of science stuff. Because I like science, I like dinosaurs, and I like dinosaur science enough, I spontaneously published an eBook in it. Like 12-years-in-the-making spontaneous. Here’s why:

Spinosaurids are a group of dinosaurs that include Spinosaurus as well as one of England’s most iconic dinosaurs, Baryonyx. They are a very unusual group of theropod dinosaurs apparently specialized in eating fish, sporting crocodile-like skulls and a large claw on each of their thumbs. The use of that claw has been a constant topic of debate among paleontologists, though it is most often depicted as a tool for catching fish the way grizzlies do.

I’ve been predicting more evidence to show up for spinosaurids to be aquatic for more than a decade now and indeed, such evidence has arisen in the meantime, Ibrahim’s (et al.) work just being another stepping stone in that pathway towards accepting the fact that spinosaurids were at the very least amphibious, if not fully aquatic.

And here’s the important part about this and why I decided to publish now: Since about 2000 I’ve been thinking the best use for its claw is not predation, but locomotion. The claw is almost useless for catching fish imho, what with spinosaurid arms still being very short despite being longer and stronger than those of other giant theropods. I think the claw was used to pull the dinosaurs through the water by anchoring it in the ground of rivers and lakes and then pulling on this anchor to move the entire animal forward. This gave spinosaurids a unique method of underwater locomotion, one hard to detect by potential prey because of how little movement is involved.

When the new Spinosaurus research was published I felt it the right point to push out this publication that had been brewing in the background for the last twelve years. I’ve made the point every now and then on mailing lists and boards, but not being a paleontologist I felt I did not have the means to research this topic sufficiently to be published in a peer-reviewed magazine. Nevertheless, I wanted to get the idea out, for actual paleontologist to here about it and maybe check its validity with their access to actual material and their additional knowledge of animal anatomy. So I did this.

Something I did with this that is rarely done in papers published online is that I numbered the paragraphs to make it easier to quote this ebook. It’s another thing I have wanted to establish for a long time now and I while go into greater detail about my ideas for publishing scientific ebooks a a later point.

As for now, I did this and made my english language platform the most inconsistent to be found anywhere in the indie publishing scene. Because screw you, marketing gurus.
However, this book has me as Thomas R. Diehl whereas my fiction books will always have my name as Thomas Diehl. So there you go, an easy way to distinguish between my fiction and non-fiction publications (I do the same for my German books).

You may note the cover is very different to Introduction. That is, again, done to mark it as an entirely different thing from my fiction. You will not find this kind of cover on my fiction ever. The other way round, you will also never find a cover looking anything like my fiction in my science. The cover image shows the claw of Baryonyx, photographed by Thesupermat at Wikimedia

So far it is only published on inktera, a shop I never even heard of before. Big A is taking its time today, it seems. Links on Amazon, Kobo, Nook, and Apple to follow later on my books page:
inktera/Page Foundry

Death by taxes

For some time I entertained the idea of selling ebooks directly over this website. What follows is the story why I don’t. And, incidentally, how the EU’s attempts to stop tax evasion by large online retailers harms small businesses in the denationalized world of the internet, helping monopolies to rise and persist.

Come 2015, European law will change how VAT is calculated for customers buying virtual goods. Currently, when buying virtual goods, you pay VAT on whatever rate is applied by the country the vendor resides in. This being tax laws, it’s a little more complicated than that, but for the sake of my point we can keep it simple. Because VAT is very different across europe, that goes from 3% in Luxembourg to 27% in Hungary. So of course Amazon’s and Apple’s stores are located in Luxembourg, benefitting from lower VAT and their ability to keep prices low, to many a tax payers irritation in those countries with higher rates. Nobody wants a race to the bottom, so this is a tough situation to fight. However, European parliament decided to do something about the situation and so now VAT on virtual goods will be calculated by the nation the customer buys from or resides. So, say I buy an eBook off Amazon, January 1st onward I’d have to pay 19% VAT instead of 3%. 7% if Germany finally gets its shit together and puts eBooks at the same tax rate as paper books, but still more.

This law is mostly directed at big corporations like Amazon and Apple. In my humble opinion, it will only serve to cement their power, worsen what many already perceive as a monopoly. You know the gist of that discussion from half the rest of the internet and basically all the daily paper, I’m sure, so I’ll spare you yet another discussion on it.
Now, where lies the problem?

For some time I have thought about selling my ebooks directly on my site. It’s a valid addition to any author’s site, increasing control and independence against stores while increasing customer service. However, the internet knows no borders. Once I set up my storefront, anybody can buy my books. I’ve had sales outside of Germany before, every once in a while getting a book sold in Italy, Spain, France, or the UK, not to mention Brazil, India, and Japan. This is probably going to increase now that I started publishing more works in English.

I am going to assume that Amazon, Apple, Google et al. know how to handle this stuff and are able to afford it. They’ll pay a couple millions more per year and all’s well for them. No big deal.
I, on the other hand, am simply unable to handle the logistics of that. I’d have to ask every customer where s/he’s from and adjust VAT accordingly for every single sale. Oh, I’m sure there’s automation for that or at least there will be, but even then there’s still the process of filing all these taxes with whatever number of European countries I will have done sales.

Not to mention, I usually don’t even know the exact country my customers live in, because I sell virtual goods, they can go to the next house in the street or to Singapoore, it makes no difference. IP is unreliable, so I’d have to ask every customer and trust they tell the truth despite knowing many give a fake street address for the sake of privacy. Countries such as Luxembourg are so small, most people are bound to be in the IP range of a neighboring country, giving wrong results. Oh, and Europe has a couple of areas exempt from VAT, composed of a couple of exclaves and islands belonging to member states. Let’s just say lawyers in that field probably don’t have to worry about their jobs for quite some time.

So congratulations, Europe, you just decreased the likelihood of any European startup appearing to challenge Amazon’s monopoly by trying to fight them. As TV Tropes puts it: Nice job breaking it, hero!

Oh, if anyone wants to ask for a solution to the tax evasion problem, I see two options. Either no VAT on virtual goods (as is done with the similar sales tax in the US) or unified European VAT rates. Both would be met with fierce opposition, but there is no middle ground I can see that doesn’t hurt small businesses.

Introducing Introduction

In brief: New short story, eight hour fiction challenge, most boring cover I ever did, out now on Smashwords and Amazon.

Ladies and gentlemen, my first publication in English, not counting re-publishing public domain work. Cue the fireworks.
At 2,400 words (2,100 counting only the story itself), this is a very short piece, though still twice as long as my introductory shorts in the German Meilensteine der Evolution series. It is certainly the shortest I would ever publish as a standalone, except maybe a free one once I figured out how to set things to permafree reliably on Amazon.

Further apologies follow once I get to the cover, so on to the story. itself.
The year 2061, in the middle of the Pacific Ocean. It is here the floating city of Pacifica has been growing since the late 2020′s. We follow Chang Wu, a Chinese immigrant who just arrived for a job interview, around town and towards his first assignment. However, he does not yet know what that assignment is, really.
Introduction is a flash fiction in the style I first got to know short stories from the likes of E.A. Poe and Ernest Hemingway: Very short pieces of fiction building towards a twist or surprise ending. Stories that are all about the ending. Mind you, this is neither Poe’s gothic fiction nor Hemingway’s realistic stories, this is science fiction, technically hard science fiction with everything happening and seen possible by current or probably possible technology.
What this is, is a tour arounf town through the eyes of a new arrival who is basically a man of our world, entering a very foreign one. It mainly serves to illustrate how different our future could be from our present. A showcase of ideas, condensed into one city.
I’ve been wanting to write a story set in the city of Pacifica for a long time, there are a lot of story ideas set in different time periods waiting to be put to paper. Holographic politicians in the 2040′s! Plant aliens in the 2100′s! There’s just so much one can do with a city that is by its nature constantly shifting and changing, inviting innovation and experimentation. Meaning, this is a mere, well, introduction to the setting. I will certainly return with a full story, maybe sooner than expected.

Blame for this story can be put on the August Eight Hour Fiction Half-Month Challenge. The challenge was to write, edit, and publish a story within eigtht hours. I decided to try it when I found out about it earlier this month via Cora Buhlert’s blog.
There not being a topic or theme this time first threw me off, but then I got the idea I could use this as a starting point of building this city I had in mind for so long, depicting a moment in its history I never knew how to show (I knew how to show the consequences of it, but not the event itself). So I did it, wrote the story in about 4 hours, created a cover and added front and back matter in one more hour.

Speaking of the cover, it was surprisingly hard to find something to fit on it and I ended up with perhaps the blandest cover I ever did. There is basically no illustrations I could use of a swimming city. I am not good enough an artist to make one, especially the timeframe given. I toyed with the idea of putting in something that would hint at the ending, but decided that to be too much of a spoiler. I suppose it’s possible to do subtly enough using a fitting silhouette at its borders or below the title. Maybe I will come back to that by changing it later.
So I settled for water with text over it.
At least I found a nice font that looks a little like my idea of Pacifica’s skyline with its swimming 21sup century skycrapers and the like (with the – to those who read it – obvious exception of New Venice). It does not have a bold option, though, making a hard to read. *sigh*.

Uploading to Amazon is something I’ve done a few times by now and as always, it worked like a charm. I always do that late in the evening so approval has been finished when I wake up in the morning. Uploaded, approved, go!
This was the first time I put a book on sale with another retailer than Amazon, uploading it to Smashwords as well. I was anxious how that would work out. You see, in Amazon I always upload a finished Mobi file, meaning formatting cannot fail, because Mobi is virtually the same as AZW, the proprietary kindle file format. Smashwords doesn’t let you do that, except for ePub and then you’re stuck with only ePub.
Smashwords uses a program called the Meatgrinder to convert a Doc file into a couple of file formats to provide the ability to sell a book for almost all currently available platforms, ranging from surviving palmtops (PDB), to current independent e-readers (ePub) and the Kindle series (Mobi). The Meatgrinder is infamous for rejecting input until it is perfect. Introduction being 100% text seemed safe enough to try and put into the grinder. I was really surprised how it worked perfectly at first try, the book going online at the store the moment conversion was done. After all I heard of Smashwords being a complicated vendor to submit to on a technology level, this was the last thing I expected. The only thing that takes time is the review for Premium Distribution, which will take a few days according to Smashwords’ FAQ. Given that gets done successfully, the book will then become available at other major ebook stores such as Kobo, Barnes & Noble, and iBooks. I will add links at the book page if and when that works.

Here it is at Smashwords, available in Mobi, ePub, PDF, RTF, LRF, PDB, TXT, and for online reading at US$ .99.
And the Amazons. All of the Amazons (ordered by guesstimated likelihood of being interested in downloading a book in English): US/International (.com), UK, Australia, Canada, India, Mexico, Germany, France, Spain, Italy, Japan, Brazil

Now, if only the moniker “seapunk” hadn’t already been taken by something else. And Ocean Punk has been taken already, as well. Damn. It does have shades of Cli-Fi and Ribofunk, though, so I’ll just go with that.

English! Do you speak it?

So, I started an English blog in addition to my original German one. Now what did I do that for? Short answer: because I have English books to be published soon and thus, an English-speaking audience to gain. Long answer: Well, this blog post has 418 words according to the WordPress counter, so that would be that.

So, I’ve basically been blogging since 1999, back when I did handcode every single page, without a CMS or knowing anything about PHP. On Geocities. In an age when merely having a website made tv stations call you and assume you were an expert on, well, stuff. Fun times.
Almost all of this time I blogged in my native German.

The major change came with starting to sell e-books. I had always dabbled in the English language somewhat, joining discussions in comments and boards, writing the odd short, reading a lot in English. I was of the mindset that if one could read any text in its original version, reading a tranlation or dub is always inferior, so I started reading ever-longer books in English, concentrating on my favorite genres, science fiction and fantasy.

There’s a number of reasons I am now preparing to publish own stories in English, and I decided a corresponding blog should go along with it.

Some stories are reactions to writing prompts originally in English.
Some are or were supposed to be submissions to anglophone (usually American) competitions or magazines.
And in some cases, the subject matter just feels more home in English to me, such as a book I have in early draft, featuring zombies. And yes, I do know zombies are a tough sell in an almost over-saturated market. Just wait until I can tell more, I promise to do something yet unseen to the sub-genre.
There are also a few short stories written in English classes, so if I ever find those, they will probably go here, as well.

This blog will not consist of translations of my German blog, but of original content, even when the topics of posts overlap. That way I want to ensure both blogs deliver the best and most relevant they’re capable of.

As you can see right now, the transition is not completed yet. Some elements of the site are still in German because they were hard-coded into the original site to be so. I deliberately kept the original’s design to have a common visual identity across languages. Those will be replaced one by one in the next couple of days.

Meanwhile, stay tuned for the actual content on here, starting later this week when I have Introduction out, my first short available as an e-book in English.