Ladies and gentlemen, my first publication in English, not counting re-publishing public domain work. Cue the fireworks.
At 2,400 words (2,100 counting only the story itself), this is a very short piece, though still twice as long as my introductory shorts in the German Meilensteine der Evolution series. It is certainly the shortest I would ever publish as a standalone, except maybe a free one once I figured out how to set things to permafree reliably on Amazon.
Further apologies follow once I get to the cover, so on to the story. itself.
The year 2061, in the middle of the Pacific Ocean. It is here the floating city of Pacifica has been growing since the late 2020′s. We follow Chang Wu, a Chinese immigrant who just arrived for a job interview, around town and towards his first assignment. However, he does not yet know what that assignment is, really.
Introduction is a flash fiction in the style I first got to know short stories from the likes of E.A. Poe and Ernest Hemingway: Very short pieces of fiction building towards a twist or surprise ending. Stories that are all about the ending. Mind you, this is neither Poe’s gothic fiction nor Hemingway’s realistic stories, this is science fiction, technically hard science fiction with everything happening and seen possible by current or probably possible technology.
What this is, is a tour arounf town through the eyes of a new arrival who is basically a man of our world, entering a very foreign one. It mainly serves to illustrate how different our future could be from our present. A showcase of ideas, condensed into one city.
I’ve been wanting to write a story set in the city of Pacifica for a long time, there are a lot of story ideas set in different time periods waiting to be put to paper. Holographic politicians in the 2040′s! Plant aliens in the 2100′s! There’s just so much one can do with a city that is by its nature constantly shifting and changing, inviting innovation and experimentation. Meaning, this is a mere, well, introduction to the setting. I will certainly return with a full story, maybe sooner than expected.
Blame for this story can be put on the August Eight Hour Fiction Half-Month Challenge. The challenge was to write, edit, and publish a story within eigtht hours. I decided to try it when I found out about it earlier this month via Cora Buhlert’s blog.
There not being a topic or theme this time first threw me off, but then I got the idea I could use this as a starting point of building this city I had in mind for so long, depicting a moment in its history I never knew how to show (I knew how to show the consequences of it, but not the event itself). So I did it, wrote the story in about 4 hours, created a cover and added front and back matter in one more hour.
Speaking of the cover, it was surprisingly hard to find something to fit on it and I ended up with perhaps the blandest cover I ever did. There is basically no illustrations I could use of a swimming city. I am not good enough an artist to make one, especially the timeframe given. I toyed with the idea of putting in something that would hint at the ending, but decided that to be too much of a spoiler. I suppose it’s possible to do subtly enough using a fitting silhouette at its borders or below the title. Maybe I will come back to that by changing it later.
So I settled for water with text over it.
At least I found a nice font that looks a little like my idea of Pacifica’s skyline with its swimming 21sup century skycrapers and the like (with the – to those who read it – obvious exception of New Venice). It does not have a bold option, though, making a hard to read. *sigh*.
Uploading to Amazon is something I’ve done a few times by now and as always, it worked like a charm. I always do that late in the evening so approval has been finished when I wake up in the morning. Uploaded, approved, go!
This was the first time I put a book on sale with another retailer than Amazon, uploading it to Smashwords as well. I was anxious how that would work out. You see, in Amazon I always upload a finished Mobi file, meaning formatting cannot fail, because Mobi is virtually the same as AZW, the proprietary kindle file format. Smashwords doesn’t let you do that, except for ePub and then you’re stuck with only ePub.
Smashwords uses a program called the Meatgrinder to convert a Doc file into a couple of file formats to provide the ability to sell a book for almost all currently available platforms, ranging from surviving palmtops (PDB), to current independent e-readers (ePub) and the Kindle series (Mobi). The Meatgrinder is infamous for rejecting input until it is perfect. Introduction being 100% text seemed safe enough to try and put into the grinder. I was really surprised how it worked perfectly at first try, the book going online at the store the moment conversion was done. After all I heard of Smashwords being a complicated vendor to submit to on a technology level, this was the last thing I expected. The only thing that takes time is the review for Premium Distribution, which will take a few days according to Smashwords’ FAQ. Given that gets done successfully, the book will then become available at other major ebook stores such as Kobo, Barnes & Noble, and iBooks. I will add links at the book page if and when that works.
Here it is at Smashwords, available in Mobi, ePub, PDF, RTF, LRF, PDB, TXT, and for online reading at US$ .99.
And the Amazons. All of the Amazons (ordered by guesstimated likelihood of being interested in downloading a book in English): US/International (.com), UK, Australia, Canada, India, Mexico, Germany, France, Spain, Italy, Japan, Brazil
Now, if only the moniker “seapunk” hadn’t already been taken by something else. And Ocean Punk has been taken already, as well. Damn. It does have shades of Cli-Fi and Ribofunk, though, so I’ll just go with that.
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